5.4 The gisalo: pathos and pain of the Bosavi-Kaluli of Papua New Guinea. 5.3 Exploration: excerpt from “Ko Mitimiti Ahau, I am (of) the Place, Mitimiti” by Jack Gray. 5.3 The Māori haka: a dance of defiance, a dance of welcome. 5.2 Hula kahiko: from Hawaiian royal courts to the global stage. 4.4 Exploration: excerpt from “Selections from the Prose of Kazuo Ohno” by Noriko Maehata. 4.3 From pleasure women’s kabuki to Grand Kabuki Theater. 4.2 Exploration: excerpt from “Import/Export: Artistic Osmosis Between Japan, Europe, and the United States” by Patricia Leigh Beaman. 3.4 Exploration: excerpt from The Story of Dai Ailain by Richard Glasstone. 3.4 Mao’s Cultural Revolution and The Red Detachment of Women. 3.3 Jingju: Chinese Beijing opera – stylized beauty, staged. 3.2 Exploration: excerpt from “Mediating Cambodian History, the Sacred, and the Earth” by Toni Shapiro-Phim. 3.2 Cambodia’s royal dancers: survivors of the Khmer Rouge. 2.6 Exploration: excerpt from The Dance that Makes You Vanish by Rachmi Diyah Larasati. 2.6 Javanese bedhaya: celestial palace dance. 2.5 Exploration: excerpt from “Clowns, Kings, and Bombs in Bali” by Ron Jenkins.
2.5 The calonarang: keeping a community in balance. 2.4 The legong: when sacred dances become secular. 2.3 The sanghyang dedari: child mediums to the spirit realm. 2.2 The baris dancers: bodyguards of Balinese gods. 2 Bali and Java: From temple, to village, to court. 1.4 Exploration: excerpt from “Who Wears the Skirts in Kathakali?” by Diane Daugherty and Marlene Pitkow. 1.4 Kathakali: narrative dance theater from Kerala. 1.3 Kathak: entertainment for Hindu Maharajas and Muslim Moghuls. 1.2 Exploration: excerpt from Unfinished Gestures: Devadasis, Memory, and Modernity in South India by Davesh Soneji. 1.2 Bharatanatyam: concertizing a sacred form from South India.
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